(2011)
Dermot Gilvary and Darren J. N. Middleton bring together writers, journalists and scholars to assess as well as to investigate Graham Greene’s prolific oeuvre and intense personal interests. Here the reader may explore everything from Greene’s Vienna at the time of the filming of The Third Man to his sometimes fraught relationship with Evelyn Waugh, from Greene’s unconventional fictional treatment of women to his “believing skepticism.”
Featured essayists include: Judith Adamson, Mark Bosco, SJ; David Crystal; Christopher Hull; Francis McCormack; David R. A. Pearce; Brigitte Timmerman, and others.
With a Foreword by David Lodge and an Afterword by Monica Ali
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RELIGION AND THE ARTS 18.5 (2014)
“For those less familiar with the seedy world of Graham Greene’s fiction, the essays in this collection point out how difficult it is to analyze one of Greene’s works without mentioning another. The imagined space that critics call Greeneland takes clearer shape when more of the author’s works come under consideration. Similarly, the major concerns of Dangerous Edges accrue slowly across chapters; the volume develops multiple contexts for understanding Greene’s vision and offers a variety of emphases that can be used as organizing principles for a given text. To that end, Gilvary and Middleton’s collection comprehensively represents the continuities as well as the vicissitudes of the imagination of an author who wrote for most of the twentieth century.”